They say you should be close to your wedding photographer, know their kids’ names, address them by their first name. Sadly, given that you are likely to only spend a couple hours with your photographer, the majority of which time will be all business, this is rarely what happens. Couple this with a destination wedding in Mexico, where I don’t even remotely trust that I’ll ever see my (expensive) photos ever again, and an all-around distrust of anyone’s ability to capture interesting artistic shots, and selecting a wedding photographer can generate copious amounts of relatively unnecessary anxiety.
Enter Erin. Here is a woman who is not only charming and beautiful, but that bitch can take photos with her iPhone that rival those of my D80. I mean, big time awesomeness with respect to portraiture. They say food photography is extremely difficult, but I don’t believe them. Food photos are extremely controlled, no movement, you can leave as long an exposure you need, tripods aplenty…I just think it’s so much easier than capturing movement.
Erin’s background is in film (and she was totally the first friend I’ve had with an imdb entry, how frickin rad is that?!), so she certainly knows how to frame a shot. Except she didn’t know how to use a real camera. Which sounds really risky, but we went with it. So now she has my beloved D80 and my favourite 50mm lens, and has been cavorting about the country and Boston with it, snapping everything. EVERYTHING. And then she comes to my house and photographs me cooking, which takes a lot of the pressure off creating a post (bee-tee-dubs, new post this week featuring her photos). And I also have someone to help me in my Etsy photography.
Anyway, I’m pretty happy with these shots, they convey…some kind of quaintness that I don’t often bring across, but is rather inherent to my personality. Thought I’d share our sunny Sunday morning vintage-inspired photo shoot.
First I made some coffee with a disappointingly modern grind-and-brew.
Employed the gorgeous new 50s pinecone carafe.
Grabbed some milk and cream.
Oh yeah, and Patrick was there! I almost forgot!
So I modeled an apron for him.
…but only after selecting the ideal manual mixer as a prop with the most pin-up face I think I’m capable of.
We discussed the hand mixer at length.
He gave it a shot and agreed that it has a very pleasing sensation when you cranked it. I was all like “Right dude? Seriously!”
I was satisfied with my selection.
Add gratuitous vintage masturbation.
That lovely lady there is myself, with makeup (shockingly), in an early 50s party dress, pastel crinoline, peeptoe shoes, rickrack-trimmed pink apron, luscious lips and a rarely large Pyrex bowl in turquoise Butterprint…I’m actually amazed at how consistently I managed to keep my era. We call that era control around here.
So no point I guess other than if you happen to be having a wedding in the New England area within a couple hours of Boston, Erin would be thrilled to backup photograph for free to get a little bit of experience. She really does love nothing more than snapping photos, and it would be doing us an inadvertent favour as well. You can get files in RAW, unedited, and a full release for their future use. I’m telling you, if she weren’t *already* our wedding photographer, I’d definitely take me up on that (or whatever . . . I’m not entirely sure of the proper grammar on that one).
Happy sunny Sunday!